The performers use the essence of the progressive musical trends of the present time. Some people, in Progress, confuse immeasurable technical professionalism with extraordinary soundscapes, rhythmic formulas and chord progressions deliberately at odds with pop music, while others return to the original idea of the movement.
The poison of progressiveness lies in experimentation.
To experiment with what kind of musical elements can be used to change the current global score as well as radio-friendly basics, in an effort to promote musical progression and development. To that end, the progressive performer paddles through accessible waters on the off-the-beaten path, and attempts things that radio lifeguards can’t, because wild driving would put too much pressure on their hands.
Mandoki Soulmates, who often categorize themselves into fusion rock and jazz, are looking for ways to expand and reflect on existing sounds. In addition to the two main styles, their new album includes classical and folk, heavy metal, pop and soul, creating an endless series of styles as they search for the points that resonate best with each other. this is Hungarian photos.
What is important?
The album was originally from an English-language version, which was released earlier Hungarian photosI was born from, in the first place these songs were translated into Hungarian and remade. The disc featured performances by local artists such as Tamás Takats, Zséda, Charlie Horváth, Caramel, Ákos, Misi Mező, Joci Papai and Béla Szakcsi Lakatos, who died in October. Hungarian works are rare in the work of Leslie Manduki, and the last time he released an LP with Hungarian artists was 25 years ago, it was meetings.
against the latter a Hungarian photos It creates a distinctly different effect. If you want to start recording, it’s a good idea to be aware of three things in advance.
- The first and perhaps most important is that it requires a great musical openness. There will be a song that can be hummed from the first moment to the last, catchy and easy to experiment with, but there will also be a track full of solos and melodies that build on or contradict each other.
- The second is that text messages are not the work of a single human hand. More specifically, they were all originally created by Leslie Mandoki, namely Hungarian photosIt was still published in English, but there are notes in the translations, one translated by Ákos, translated by Attila Horváth and another by Manduki himself. As a result, the theme, performances, and style differ in several venues, and due to the vocals of several guest artists, the weighting and breaking of texts describe also have significant differences. Sometimes it attracts radio-friendly ears, at other times it reaches unexpected places.
- And the third is that this album is very much conceptual, but not exclusive. Although the songs are related to each other in terms of their content, this is not represented in the same way everywhere musically. Indeed, one feels as if the structural blocks are emerging. Sometimes the songs flow into one another, as if we hear several movements of a great musical work, and in other places the Sovereign Songs completely break this continuity. In places this also hints at how Béla Bartók’s work, which forms the basis of the album, is mixed with the world of progressive rock and jazz.
Opening up to Bartók’s presence a bit more, the fusion of classical and popular music opens the story right at the beginning of the record, and the first songs begin with a strong bond. This is broken by the person who comes later The wind is freshbut after a Yesterday’s rebelsUntil we get another package. The serious and popular music parts of the recording show precisely how Hungarian folk music can be transferred into the traditional sound world of other nations one sequence at a time, and what points can be made that really distinguish them from them.
They present the relationship between well-known Hungarian folk musical forms and classical music, which the casual ear often takes for granted, yet they shed light on how Béla Bartók’s music, thought, and phenomenon defined what we think of our musical heritage today.
Regardless, there are songs for those who find no joy in experiencing musical heights. The hit is also not in short supply on the disc, it was made with Tamás Takats Yesterday’s rebels It has a particularly strong melodic grip, and the guitar solo in it has been given a slightly airy space, so the well-chosen timbre has a subtle and direct effect on one’s gut.
It was produced with Joci Pápai, which was adapted to Pápai’s tunes We belong here Really strong note
In addition, despite its ease, progressive elements are also expressed in the song, which nevertheless fit into the ether without errors. This song is also special in that it has the best vocal beats captured in the recording, and Joci Pápai has captured the essence of the lyrics.
It’s really unusual for a record with such a large number of participants, the fact that sometimes the lyrics are twisted the way a radio ear would expect, and sometimes they simply push those boundaries, but in the meantime the underlying material still hits the mark in terms of melodies. acoustic.
The concept behind the clip
The length of the songs is also very varied. From the one-minute bridge tracks to the nearly 10-minute songs, there’s everything that stimulates the eyes and mouth, but no superfluous vocals. Even in the end, it is freely available where were you born His live recording fits into the big picture, too. This number is not original Hungarian photosIt was written back in the year meetings It was the only song for which Manduki himself wrote the lyrics in Hungarian.
What is particularly interesting is that, according to Leslie Manduki himself, he was afraid to write Hungarian lyrics because he didn’t want his songs written in his mother tongue to be bad. Regardless, if we compare the texts that Mandoki translated from English into Hungarian A Hungarian photosabout him meetings Books for an album where were you bornmel, the latter gives more tangible feelings, simple, beautiful and honest, as it puts doubt and homesickness into the words. Mandoki probably has the lyrical sense of singing about uncertainty, because lingering feelings of grief leave deep wounds from which really powerful thoughts can be born,
And he captures this perfectly.
All in all, Mandoki’s new album Soulmates is particularly exciting concept material, it has special colors and ideas, yet it pays attention to giving hits to the public, not to alienate the average person from the professionals. The experimental nature of progressive trends is gaining ground, the professionalism of musicians is pervasive, and the record is an ongoing theme with ever-changing participants.
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